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Perhaps the ending hints at another classic L.A. Vampires are mentioned and there is a sort of gothic organ sound behind the chorus, which is kind of cool and brings to mind Lords of the New Church It is a chugging Rock/Punk/Goth hybrid played by black haired dudes in leather jackets with their guitars scraping the floor.Īfter a few listens it starts to catch on. Overall, this was a solid mid-tempo rocker with some decent guitar tone from Griffin.Īnother song released on Spotify ahead of the album, ‘Well Oiled Machine’, has all of the car/sex metaphor cliches that you could imagine, and in places suggest that they are taking a cue from the ‘other’ line-ups recent(ish) single ‘speed’. Riley and Nickels were for sure one of the best of Sleaze Rock’s rhythm sections, providing a cool low-slung and at time almost funky underpinning to those classic albums. ‘Why Ask Why’ has an interesting title and cool bass line, as you would hope from this line-up. Guns back catalogue, patching together riffs and phrases that hint at vintage ‘Guns cuts such as ‘Dirty Love’, ‘My Koo Kachoo’ and ‘Don’t Look at Me That Way’. Opener ‘Crawl’ was the first track released on Spotify ahead of the album – it revisits a few ideas familiar to anyone already into the L.A. “We are so proud of it and we hope you all have a great time rocking out to it.
List of l.a. guns members rip and tear full#
Steve Riley told us: “Hey guys, here it is!! We can’t wait for you all to hear the full album Renegades. I’ll spend no more time hashing over the legal/business bulls*t.
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With all of that out of the way and wordcount almost busted. So, to avoid any more confusion, let’s say it in the simplest way possible: ‘Renegades’ is an album that does NOT feature Phil or Tracii but it DOES include the rhythm section of Riley and Nickells (and Griffin…but on guitar not bass). Guns sound that most of us are familiar with. I was as confused as anyone though like many I didn’t realise that this album WASN’T anything to do with Phil or Tracii, whose melodies and leads provide the top-line to the L.A. “Oh no! I love the music but I cannot afford to now spend twice as much money on gig tickets/albums/merch, so I’ll have to think carefully about which new LA Guns album I buy.”Įither way, we are, where we are and as a long-time fan I was eager to hear something new. “Brilliant now there will be even more chances to enjoy LA Guns”Ģ. Guns fan, you will most likely react in one of three ways:ġ. Being no expert on the US legal system other than observing that Americans seem to sue each other as a national pastime, I won’t dig any deeper into the ins and outs, or rights and wrongs of that.Īt this point if you are an L.A. The reason for this seems to have something to do with the band’s name being registered as a trademark to two people: Traccii Guns and Steven Riley. Guns the band has morphed into two simultaneous and competing versions). Guns are in a way a sort of North American equivalent of UK Subs (a substantial back-catalogue and an almost constant rotation of band members….only in the case of the L.A. Indeed, the line-up changes and the dramas surrounding the various incarnations of the ‘Guns over the years cannot be summarised within one album review. It is the latest instalment in a soap opera already a few years old. Guns features the drummer (Steven Riley) and bass player (Kelly Nickels) from the best known late 80’s/early 90’s line-up of the band, augmented by another former bass player from a 2010’s line-up (Scott Griffin) and a completely new lead vocalist (Kurt Frohlich).